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Yunmeng county in Central China’s Hubei taps into rich cultural relics to develop cultural tourism

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By Qiang Yuwen, People’s Daily

 

Yunmeng county in central China’s Hubei province is leveraging its rich historical and cultural resources to boost the development of cultural tourism.

 

The local authorities have explored a new path to drive cultural tourism with cultural heritage, with concrete measures such as establishing a research station for cultural relic protection, promoting innovations in preserving and carrying forward traditional arts like shadow puppetry, and developing cultural tourism projects.

 

Although Yunmeng county is the smallest county in Hubei province, it is home to over 5,000 pieces of cultural relics, including those recognized as Chinese national treasures.

 

At the end of 1975, 12 tombs dating from the late Warring StatesPeriod (475 B.C.-221 B.C.)to the Qin Dynasty (221 B.C. – 207 B.C.)were unexpectedly unearthed during the excavation of a water channel in Shuihudi, Yunmeng county.

 

In Tomb No. 11, several piles of bamboo slips caught the attention of archaeologists, who then meticulously collected, numbered, and cleaned over 1,000 bamboo slips from the tomb.

 

Soon after, experts identified these bamboo slips as historical records of the period when the seven states during the Warring States Period were unified under the Qin Dynasty, meticulously recorded by an official named Xi in over 40,000 neatly written Qin characters.

 

A major part of the records, in particular, is eighteen categories of Qin laws, which is considered the earliest and most complete legal code discovered in China to date, indicating that over 2,200 years ago, ancient China’s legal system had already been systematically established.

 

So far,a total of 36 Chinese national first-class cultural relics have been unearthed in Yunmeng, making it a favored destination for archaeologists.

 

In addition to thebamboo slips, the other cultural relics unearthed in the county include numerous precious woodcarvings, wooden lacquerware, and two family letters inscribed on wooden tablets, which were written by brothers Heifu and Jing to their brother in “Zhong” during the end of the Warring States Period, believed to be the world’s oldest family letter.

 

The Yunmeng County Museumhouses over 5,000 pieces of cultural relics, including 18 Chinese national first-class artifacts, making it a prominent one among county-level museums in China.

 

The raw lacquer for wooden lacquerware is highly valuable, involving intricate crafting processes. The large quantity of lacquerware unearthed in Yunmeng county attests to its past prosperity.

 

Li Lan, a researcher with the Hubei Provincial Museum, has been designated to dehydrate and reinforcethe newly unearthed lacquerware, as well as mending anyexisting damages.

 

Thetask is extremely complex.The dehydration process alone takes at least one to two years, and for larger pieces in better condition, it may even take over five years.

 

Previously, the Yunmeng County Museum, due to inadequate facilities, had to transport restoration-requiredartifacts to cities like Wuhan and Jingzhou in Hubei province.

 

The long-distance journey risked inflicting damage on the cultural relics, with even a slight mishap possibly causing significant harm.

 

The establishment of the Yunmeng workstation, a major research center for the protection of unearthed lacquerwareunder China’sNational Cultural Heritage Administration, has notably improved the conservation and restoration efforts in Yunmeng county.

 

Now, Li spends much of her time training local technicians in artifact restoration techniques.

 

To better preserve and inherit traditional culture, Yunmeng has consistently worked on innovatingboth the methods and content of cultural presentation.

 

Inspired by the story of the Qin Dynasty official Xi, Li Shenghua, president of the sports association of a residential community in Chengguan township, Yunmeng county, has led the local dance team in creating a show named “ink dance of Qin bamboo slips.”

 

In the performance, dancers dressed in traditional Chinese attire hold bamboo slips and use water sleeves to imitate the scene of historians recording events on bamboo slips with a brush.

 

The show won an award at a municipal-level competition during its first performance, and the team was even invited to perform it overseas.

 

In ashadow play theater in Chengguan township of Yunmeng county, innovative shadow puppet shows are staged tobring the audience closer to China’s history and cultural heritage.

 

One of the shadow puppet shows,created based on eighteen categories of Qin laws, is particularly popular.

 

In the show, an official in charge of law enforcement earnestly persuades his father not to burn straw, and brings the “village bully” harming the ecological environment to justice, eliciting frequent laughter from the audience with witty lines.

 

The show reveals to the audience that the culture contained in the Qin bamboo slips, spanning thousands of years, remains relevant tothe daily lives of people today.

 

Out of a passion for the arts and a desire to preserve culture through shadow puppetry, Liu Junming, a member of the Yunmeng county committee of the Chinese People’s Political Consultative Conference, has teamed up with localintangible cultural heritage inheritor Fang Dingmin and shadow puppet artist Qin Ligang to create a shadow puppet skit called “play within a play about Qin law.”

 

QinLigang is a Chinese national-level inheritor of Yunmeng shadow puppetrydedicated to the innovative development of this traditional art form.

 

Not confined to fixed music scores, Qin excels at incorporating current events into his performances.

 

“We must not only learn the old plays but also create new ones that capture the attention of young people,” Qin said.

 

The protection of traditional arts is like a rescue mission against “forgetting”, according to Qin, who noted that the more novel and relatable the art, the more likely it is able to impress the audience.

 

“Only by being remembered can it be passed down through generations,”he said.

 

A few years ago, Qin took on a “steel apprentice” – an intelligent robot equipped with sensors all over its body.

 

In 2017, Qin and the robot performed the classic play “Wu Song Fights the Tiger”in the Palace Museum in Beijing. During the performance, the robot led a shadow puppet tiger with its mechanical hand, executing lifelike movements programmed into it, capturing the attention of young audience.

 

“With the combination of artificial intelligence and our innovation, we won’t have to worry about traditional craftsmanship being lost,” Qin remarked.

 

Extracting unique cultural traits from its historical heritage, Yunmeng is exploring better ways to coordinate the relationships between cultural relic preservation, tourism, and commercial operations.

 

In recent years, the county has established an intangible cultural heritage exhibition hall,built a Qin bamboo slip memorial park, and improved its libraries and cultural centers, earning the title of the “hometown of folk culture and arts in Hubei province.”

 

Delving into its profound cultural heritage, this thousand-year-old small county is now radiating new charm.

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Foreign

Trump begins mass layoffs at Voice of America

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The Trump administration has initiated sweeping layoffs at Voice of America (VOA) and other U.S.-funded international broadcasters, effectively dismantling institutions long seen as critical for American influence abroad.

 

On Sunday, contractors working for VOA received an email notification that their employment would be terminated by the end of March. “You must cease all work immediately and are not permitted to access any agency buildings or systems,” the email read, according to multiple staff members who confirmed the development.

 

The move, which comes just a day after all employees were placed on administrative leave, disproportionately affects non-English-language services, where contractors make up a significant portion of the workforce. Many of these contractors are not U.S. citizens and may now face visa issues, further complicating their status in the country.

 

While most full-time staff remain employed for now, they have been told not to work, leaving VOA and its sister organizations in a state of uncertainty. Some services, unable to produce new programming, have resorted to playing music.

 

VOA, founded during World War II, has been a critical tool for U.S. public diplomacy, broadcasting in 49 languages to audiences in countries where press freedom is restricted. However, President Trump signed an executive order on Friday targeting its parent organization, the U.S. Agency for Global Media (USAGM), as part of broader federal budget cuts.

 

The cuts extend beyond VOA, affecting other U.S.-funded media entities such as Radio Free Europe/Radio Liberty, Radio Free Asia, Radio Farda (which broadcasts in Persian to Iran), and Alhurra, an Arabic-language network launched after the 2003 Iraq invasion. The administration argues that taxpayers should not fund what it calls “radical propaganda,” despite VOA’s longstanding editorial independence.

 

Liam Scott, a VOA journalist covering press freedom and disinformation, expressed concern over the decision. “I’ve covered press freedom for a long time, and I’ve never seen something like what’s happened in the U.S. over the past couple of months,” he wrote on social media.

 

The move has drawn international attention, particularly from China and Russia, which have been expanding their own state-funded media efforts. The Chinese state-run *Global Times* reacted with an editorial declaring that “the monopoly of information held by traditional Western media is being shattered.”

 

Trump’s administration has pursued aggressive cuts across federal agencies, including eliminating most foreign aid and significantly reducing the Department of Education. With input from tech billionaire Elon Musk, Trump has focused on reducing government size to facilitate tax cuts.

 

As the global media landscape shifts, the dismantling of U.S.-funded broadcasters leaves a vacuum that could be filled by rival state-controlled networks. Whether Congress or legal challenges will intervene remains to be seen, but for now, the future of America’s international broadcasting efforts hangs in the balance.

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Judge blocks Trump from deporting non-citizens using wartime law

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A federal judge has temporarily halted the Trump administration’s attempt to deport migrants allegedly linked to the Venezuelan gang Tren de Aragua under a wartime law.

US District Judge James Boasberg issued a restraining order preventing the administration from using the Alien Enemies Act of 1798 to expel undocumented migrants accused of gang ties. The order initially protected five individuals challenging the deportation but was later expanded to all affected noncitizens in US custody.

Boasberg also directed that any planes carrying these migrants be returned to the United States. “Any plane containing these folks that is going to take off or is in the air needs to be returned,” he ruled. The restraining order will remain in effect for 14 days or until further court action.

The Trump administration invoked the Alien Enemies Act, citing Tren de Aragua as a terrorist organization that has “unlawfully infiltrated the United States” and is engaging in hostile actions. However, civil rights groups, including the ACLU, argue that the gang’s activities do not meet the legal definition of an invasion.

The Justice Department has appealed the ruling, while the case continues in court.

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China’s new chapter in global innovation

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By Gu Yekai, Liu Yiqing, People’s Daily

At a smart construction project site managed by China State Construction Engineering Corporation, a quiet technological revolution is underway. Amid cranes and concrete, engineers are deploying advanced artificial intelligence (AI) systems that could fundamentally reshape the construction industry.

Li Fengjian, an AI specialistwith Xianyuan Technology, detailed how the company’s latest intelligent system – built on a large model – adapts to complex construction environments.”Engineering machinery equipped with intelligent agents can adjust its operations automatically in response to weather conditions,” Li explained, adding that a spatiotemporal sensing network further enhances the system, providing real-time tracking of both personnel and materials throughout the construction site.

In February this year, Xianyuan Technology rapidly integrated its self-developed model with DeepSeek-R1, effectively blending a general-purpose framework with industry-specific models. This integration, Li noted, has produced a solution capable of delivering expert-level performance in challenging, dynamic environments. The firm is based in the Shanghai Foundation Model Innovation Center, aburgeoning AI incubator that now hosts over 200 innovative enterprises.

China’s technological transformation extends well beyond the construction sector. Overthe past three decades, the country has evolved from its initial forays into internet connectivity to becoming a key player in global digital innovation.

Here, a steady stream of technological innovations are emerging, from the early days of emails and web browsing to the cutting-edge technologies represented by DeepSeek and the dynamic evolution of social media.

Wu Jianping, an academician at the Chinese Academy of Engineering and headof the Zhongguancun Laboratory, pointed out that while China had introduced only one internet standard before 2005, it now contributes to over 200 worldwide. Such strides illustrate the country’s concerted push toward high-level technological self-reliance – a journey marked by both persistence and determination.

Beyond the digital realm, China is makingsignificant inroads in aerospace, new energy, and other high-tech sectors. It has transitioned from being a follower to standing shoulder-to-shoulder with global leaders, and in some areas, even taking the lead. Wu attributed these achievements to a dynamic ecosystem of policy reforms and talent cultivation that encourages creativity and technical expertise at every level.

Amid intensifying international competition, collaborative research and the integration of new technologies with traditional industries are central to China’s high-quality economic development.

Mei Linhai, a researcher at China’s State Key Laboratory of Cognitive Intelligence, remarked that the age of AI calls for continuous exploration. “In this era, everyone is an innovator. Only by persistently pushing the boundaries can we remain at the forefront of both technological and industrial development,” Mei observed.

In the field of general-purpose AI, Mei emphasized that independent innovation is paramount. He advocates for a self-driven industrial ecosystem that leveragesbreakthrough technologies to boost productivity and unlock new possibilities, Mei said.

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